Abaza love and landscape lyrics of the 1950s.

. Based on the analysis of approximately 30 literary texts, the paper clearly indicates the genesis and evolution of love-landscape themes during one of the early stages of the construction of national literature. The topic is of philological significance since it exposes the roots of the later deve...

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Main Author: Petr Konstantinovich Chekalov
Format: Article
Language:Azerbaijani
Published: Federal State Budgetary Educational Institution of Higher Education «Kabardino-Balkarian State University named after H.M. Berbekov» 2023-12-01
Series:Кавказология
Subjects:
Online Access:https://kbsu.elpub.ru/jour/article/view/282
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author Petr Konstantinovich Chekalov
author_facet Petr Konstantinovich Chekalov
author_sort Petr Konstantinovich Chekalov
collection DOAJ
description . Based on the analysis of approximately 30 literary texts, the paper clearly indicates the genesis and evolution of love-landscape themes during one of the early stages of the construction of national literature. The topic is of philological significance since it exposes the roots of the later developed layer of Abaza lyrics, which is represented by the names M. Chikatuev, M. Tlyabicheva, and K. Mkhtse.The primary research methodologies were descriptive, noting the distinguishing aspects of poetry works based on observations and interpretative, revealing the artistic content of texts and their meanings. Not only P. Tsekov, K. Dzhegutanov, B. Thaitsukhov, J. Laguchev, M. Chikatuev, who later became popular poets, but also I. Tabulov, M. Fizikov, Sh. Fizikov, P. Dzugov, B. Kenzhev, A. Tambiev, Z. Mamatova, who are little known today but participated in the literary process of their time, are studied.Throughout the study, it is proven that a distinguishing feature of 1950s love and landscape songs is their saturation with social and industrial causes, from which liberation is intended by the end of the decade. Sh. Fizikova’s poetry “The Path Tells” has lyricization of the love topic, B. Thaitsukhov’s poem “The Girl’s Song” contains psychologization of the lyrical subject, and M. Fizikov’s poem “Sing Along and You” contains an alternation of love themes and landscape sketches.The initial landscape poems have a detached declaration of nature’s indications, a lack of vocabulary, and inappropriate repetitions, which are eventually replaced by the authors’ ability to adapt what they saw into poetic imagery, developing them in a logical sequence. And plastic is evident in the best works of K. Dzhegutanov, M. Chikatuev, and B. Thaitsukhov, a harmonic synthesis of form and content, filling the artistic text with expressive linguistic means.
format Article
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institution Matheson Library
issn 2542-212X
language Azerbaijani
publishDate 2023-12-01
publisher Federal State Budgetary Educational Institution of Higher Education «Kabardino-Balkarian State University named after H.M. Berbekov»
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spelling doaj-art-ce5939e2f01841f09e506d423932efc02025-08-02T19:46:42ZazeFederal State Budgetary Educational Institution of Higher Education «Kabardino-Balkarian State University named after H.M. Berbekov»Кавказология2542-212X2023-12-010439842110.31143/2542-212X-2023-4-398-421234Abaza love and landscape lyrics of the 1950s.Petr Konstantinovich Chekalov0Карачаево-Черкесский ордена «Знак Почёта» Институт гуманитарных ис-следований. Based on the analysis of approximately 30 literary texts, the paper clearly indicates the genesis and evolution of love-landscape themes during one of the early stages of the construction of national literature. The topic is of philological significance since it exposes the roots of the later developed layer of Abaza lyrics, which is represented by the names M. Chikatuev, M. Tlyabicheva, and K. Mkhtse.The primary research methodologies were descriptive, noting the distinguishing aspects of poetry works based on observations and interpretative, revealing the artistic content of texts and their meanings. Not only P. Tsekov, K. Dzhegutanov, B. Thaitsukhov, J. Laguchev, M. Chikatuev, who later became popular poets, but also I. Tabulov, M. Fizikov, Sh. Fizikov, P. Dzugov, B. Kenzhev, A. Tambiev, Z. Mamatova, who are little known today but participated in the literary process of their time, are studied.Throughout the study, it is proven that a distinguishing feature of 1950s love and landscape songs is their saturation with social and industrial causes, from which liberation is intended by the end of the decade. Sh. Fizikova’s poetry “The Path Tells” has lyricization of the love topic, B. Thaitsukhov’s poem “The Girl’s Song” contains psychologization of the lyrical subject, and M. Fizikov’s poem “Sing Along and You” contains an alternation of love themes and landscape sketches.The initial landscape poems have a detached declaration of nature’s indications, a lack of vocabulary, and inappropriate repetitions, which are eventually replaced by the authors’ ability to adapt what they saw into poetic imagery, developing them in a logical sequence. And plastic is evident in the best works of K. Dzhegutanov, M. Chikatuev, and B. Thaitsukhov, a harmonic synthesis of form and content, filling the artistic text with expressive linguistic means.https://kbsu.elpub.ru/jour/article/view/282любовьпейзажпсихологизациясозвучие образоводиночествометафора красотылирическое настроение.
spellingShingle Petr Konstantinovich Chekalov
Abaza love and landscape lyrics of the 1950s.
Кавказология
любовь
пейзаж
психологизация
созвучие образов
одиночество
метафора красоты
лирическое настроение.
title Abaza love and landscape lyrics of the 1950s.
title_full Abaza love and landscape lyrics of the 1950s.
title_fullStr Abaza love and landscape lyrics of the 1950s.
title_full_unstemmed Abaza love and landscape lyrics of the 1950s.
title_short Abaza love and landscape lyrics of the 1950s.
title_sort abaza love and landscape lyrics of the 1950s
topic любовь
пейзаж
психологизация
созвучие образов
одиночество
метафора красоты
лирическое настроение.
url https://kbsu.elpub.ru/jour/article/view/282
work_keys_str_mv AT petrkonstantinovichchekalov abazaloveandlandscapelyricsofthe1950s