My heart has no colour: Lusotropicalism and Black Lusophone representation in the Eurovision Song Contest 1994 – 1996.
The Eurovision Song Contest states that ‘a rich history of promoting diversity [and] inclusivity’ is amongst its core values. Furthermore, the contest claims to able to ‘bridge differences and ignite a sense of shared community.’ Despite this, Catherine Baker notes in 2021 that Eurovision’s ‘shared...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Netherlands Institute for Sound and Vision
2025-07-01
|
| Series: | Tijdschrift voor Mediageschiedenis |
| Subjects: | |
| Online Access: | https://account.tmgonline.nl/index.php/up-j-tmgjmh/article/view/898 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|