‘Per desiderio di farsi onore’: Singers and the Adaptation of Arias in Italian drammi per musica of the Early Eighteenth-Century Italy

Within the aesthetic framework of the work concept and author-centred approach to music history, the practice of aria substitution in the eighteenth-century Italian dramma per musica has frequently been viewed as hostile interference with the composer’s authorial intention and attributed to singers’...

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Bibliographic Details
Main Author: Desler Anne
Format: Article
Language:English
Published: Sciendo 2021-12-01
Series:Musicology Today
Subjects:
Online Access:https://doi.org/10.2478/muso-2021-0006
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