Panoptic Vision: Disjuncture, Transgressions, and Imagination in Laila Marrakchi’s Film Rock the Casbah
This article focuses on Laila Marrakchi’s film Rock the Casbah (2013), which reflects the exchange between global and local cultural and sociopolitical ideologies of a new Morocco. The film highlights the contradictions of globalization as it occurs through disjuncture. Arjun Appadurai’s theory of t...
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| Format: | Article |
| Language: | English |
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Kennesaw State University
2019-11-01
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| Series: | Journal of Global Initiatives |
| Online Access: | https://digitalcommons.kennesaw.edu/jgi/vol14/iss2/14/ |
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