The artist as a political vandal and moral witness: Lucienne Rickard’s Extinction Studies
Extinction Studies was a years-long, politically motivated artistic event that blurs the boundaries not only between traditional “conservable” visual artwork and ephemeral performance but also between scientific rigour and emotional truth-telling. In the long chronology of art history, Lucienne Rick...
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| Format: | Article |
| Language: | English |
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Taylor & Francis Group
2025-12-01
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| Series: | Journal of Aesthetics & Culture |
| Subjects: | |
| Online Access: | https://www.tandfonline.com/doi/10.1080/20004214.2025.2524221 |
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