Rāgs of Western India and Sindh
It is generally taken for granted that the rāg repertoire of Hindustani music is a pan-regional corpus, and that whatever regional origins and associations some rāgs may have once had are long since lost and inoperant. Accompanying this axiom is an assumption that rāgs are entities essentially uniqu...
Saved in:
Main Authors: | Peter Manuel, Brian Bond |
---|---|
Format: | Article |
Language: | English |
Published: |
Analytical Approaches to World Music
2022-12-01
|
Series: | Analytical Approaches to World Music |
Subjects: | |
Online Access: | https://journal.iftawm.org/wp-content/uploads/2023/01/Manuel_Bond_AAWM_Vol_10_2-1.pdf |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Quantifying Alpatva (Scarcity) and Bahutva (Abundance): A Comparative Study of the Scale-identical Hindustānī Rāgas Bhūpālī and Deskār
by: Achintya Prahlad
Published: (2023-06-01) -
From Bernstein to Bhatkhande: (Indian and Other) Music as the Universal Language
by: Somangshu Mukherji
Published: (2023-06-01) -
Recent Developments Coordinating Melody and Harmony
by: Robert Morris
Published: (2023-06-01) -
Rereading “Music among the Kabyles” in Rouanet's Synthesis: Modernization and Westernization a Hundred Years Later
by: Nacim KHELLAL
Published: (2023-12-01) -
“Music Therapy Moments”. Personal Experiences on the Path to a Music Therapy Profession. Scientific opportunities
by: Magdolna SZABADI
Published: (2025-06-01)