Spain in the Mirror of the Museo del Prado
The Museo del Prado preserves the national cultural code and reflects the different stages of Spanish history. The museum’s collection contains masterpieces by artists favored by the Spanish monarchs who had great intuition and refined taste, while also highlighting their supreme power. The Prado is...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Russian |
| Published: |
Moscow State Institute of International Relations (MGIMO)
2024-07-01
|
| Series: | Ибероамериканские тетради |
| Subjects: | |
| Online Access: | https://www.iberpapers.org/jour/article/view/625 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1839588966870810624 |
|---|---|
| author | T. I. Pigariova |
| author_facet | T. I. Pigariova |
| author_sort | T. I. Pigariova |
| collection | DOAJ |
| description | The Museo del Prado preserves the national cultural code and reflects the different stages of Spanish history. The museum’s collection contains masterpieces by artists favored by the Spanish monarchs who had great intuition and refined taste, while also highlighting their supreme power. The Prado is a world leader by the intense concentration of masterpieces of European art in the museum space. The Prado has the world’s finest collection of Bosch, Patinir, Jan Brueghel the Elder, David Teniers, Rubens, Titian, Bassano and, naturally, great Spanish artists, such as El Greco, Velázquez, Ribera, Murillo, Zurbarán and Goya. The Prado’s collection is mindful and well-considered, with strong internal connections and paintings by artists who inspired one another. The placement of pictures in the rooms and the «dialogue» between the works helps to create «supraintentional» scenarios and stories. The museum’s unique and impressive metaphysical structure has developed gradually and unintentionally. The similarity between genres, themes and plots allows us to perceive the evolution of styles and the particular characteristics that define the work of genius artists. The museum’s approach to expanding its collection is intensive rather than extensive: since the beginning of the 20th century, when the museum’s Board of Trustees began to function and a team of professional curators was formed, the Prado has sought to fill the gaps in the collection and to complete the historical «blocks» of paintings, while the essence of the collection has not changed. The Prado remains «static» in time, yet it is a modern institution that continues to evolve in the creative space and successfully organize large-scale innovative projects. |
| format | Article |
| id | doaj-art-e7df6c6b89cf472ebf92e86f9500e19c |
| institution | Matheson Library |
| issn | 2409-3416 2658-5219 |
| language | Russian |
| publishDate | 2024-07-01 |
| publisher | Moscow State Institute of International Relations (MGIMO) |
| record_format | Article |
| series | Ибероамериканские тетради |
| spelling | doaj-art-e7df6c6b89cf472ebf92e86f9500e19c2025-08-03T13:29:38ZrusMoscow State Institute of International Relations (MGIMO)Ибероамериканские тетради2409-34162658-52192024-07-01122517110.46272/2409-3416-2024-12-2-51-71580Spain in the Mirror of the Museo del PradoT. I. Pigariova0Cervantes Institute in MoscowThe Museo del Prado preserves the national cultural code and reflects the different stages of Spanish history. The museum’s collection contains masterpieces by artists favored by the Spanish monarchs who had great intuition and refined taste, while also highlighting their supreme power. The Prado is a world leader by the intense concentration of masterpieces of European art in the museum space. The Prado has the world’s finest collection of Bosch, Patinir, Jan Brueghel the Elder, David Teniers, Rubens, Titian, Bassano and, naturally, great Spanish artists, such as El Greco, Velázquez, Ribera, Murillo, Zurbarán and Goya. The Prado’s collection is mindful and well-considered, with strong internal connections and paintings by artists who inspired one another. The placement of pictures in the rooms and the «dialogue» between the works helps to create «supraintentional» scenarios and stories. The museum’s unique and impressive metaphysical structure has developed gradually and unintentionally. The similarity between genres, themes and plots allows us to perceive the evolution of styles and the particular characteristics that define the work of genius artists. The museum’s approach to expanding its collection is intensive rather than extensive: since the beginning of the 20th century, when the museum’s Board of Trustees began to function and a team of professional curators was formed, the Prado has sought to fill the gaps in the collection and to complete the historical «blocks» of paintings, while the essence of the collection has not changed. The Prado remains «static» in time, yet it is a modern institution that continues to evolve in the creative space and successfully organize large-scale innovative projects.https://www.iberpapers.org/jour/article/view/625museo del pradonational codeeuropean artspanish arthouse of habsburgflemish artitalian artcollectionlarge-scale projects |
| spellingShingle | T. I. Pigariova Spain in the Mirror of the Museo del Prado Ибероамериканские тетради museo del prado national code european art spanish art house of habsburg flemish art italian art collection large-scale projects |
| title | Spain in the Mirror of the Museo del Prado |
| title_full | Spain in the Mirror of the Museo del Prado |
| title_fullStr | Spain in the Mirror of the Museo del Prado |
| title_full_unstemmed | Spain in the Mirror of the Museo del Prado |
| title_short | Spain in the Mirror of the Museo del Prado |
| title_sort | spain in the mirror of the museo del prado |
| topic | museo del prado national code european art spanish art house of habsburg flemish art italian art collection large-scale projects |
| url | https://www.iberpapers.org/jour/article/view/625 |
| work_keys_str_mv | AT tipigariova spaininthemirrorofthemuseodelprado |