Una “feria masiva” de artes plásticas en el ocaso de la última dictadura argentina
In 1983, as the last dictatorship in Argentina was in decline, a new art exhibition in the interior of the country was opened: fair known as Art in Córdoba. A first feature that draws the attention of the exhibition was its massiveness: both Clarín Newspaper and the local press agree that the event...
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| Format: | Article |
| Language: | English |
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Centre de Recherches sur les Mondes Américains
2016-07-01
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| Series: | Nuevo mundo - Mundos Nuevos |
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| Online Access: | https://journals.openedition.org/nuevomundo/69444 |
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| _version_ | 1839657053498376192 |
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| author | Alejandra Soledad González |
| author_facet | Alejandra Soledad González |
| author_sort | Alejandra Soledad González |
| collection | DOAJ |
| description | In 1983, as the last dictatorship in Argentina was in decline, a new art exhibition in the interior of the country was opened: fair known as Art in Córdoba. A first feature that draws the attention of the exhibition was its massiveness: both Clarín Newspaper and the local press agree that the event involved the movement of a hundred artists, over 1000 works and 6000 attendees as public. Although it took place in the city of Córdoba, it went beyond a local dimension, as several of the artists and summoned works (e.g. Carlos Alonso) remitted to (inter) national contacts that invite to explore networks and appropriations in interprovincial, Latin American and/or European level. This paper proposes a first approach to some edges of these artistic processes from two problem areas: first, the exploration of the possible factors that conditioned the promotion of fair within the official cultural policy and, on the other hand, the description of agents and aesthetic productions that acquired visibility in the context of dictatorial crisis and sociopolitical transition. To begin to untangle some threads of such a complex cultural fabric, our historical reconstruction analyzes a heterogeneous document corpus. |
| format | Article |
| id | doaj-art-e1cf852ebbb2482394762d2d24b29a10 |
| institution | Matheson Library |
| issn | 1626-0252 |
| language | English |
| publishDate | 2016-07-01 |
| publisher | Centre de Recherches sur les Mondes Américains |
| record_format | Article |
| series | Nuevo mundo - Mundos Nuevos |
| spelling | doaj-art-e1cf852ebbb2482394762d2d24b29a102025-06-24T14:15:26ZengCentre de Recherches sur les Mondes AméricainsNuevo mundo - Mundos Nuevos1626-02522016-07-0110.4000/nuevomundo.69444Una “feria masiva” de artes plásticas en el ocaso de la última dictadura argentinaAlejandra Soledad GonzálezIn 1983, as the last dictatorship in Argentina was in decline, a new art exhibition in the interior of the country was opened: fair known as Art in Córdoba. A first feature that draws the attention of the exhibition was its massiveness: both Clarín Newspaper and the local press agree that the event involved the movement of a hundred artists, over 1000 works and 6000 attendees as public. Although it took place in the city of Córdoba, it went beyond a local dimension, as several of the artists and summoned works (e.g. Carlos Alonso) remitted to (inter) national contacts that invite to explore networks and appropriations in interprovincial, Latin American and/or European level. This paper proposes a first approach to some edges of these artistic processes from two problem areas: first, the exploration of the possible factors that conditioned the promotion of fair within the official cultural policy and, on the other hand, the description of agents and aesthetic productions that acquired visibility in the context of dictatorial crisis and sociopolitical transition. To begin to untangle some threads of such a complex cultural fabric, our historical reconstruction analyzes a heterogeneous document corpus.https://journals.openedition.org/nuevomundo/69444dictatorshipHistoryimagesfairarts |
| spellingShingle | Alejandra Soledad González Una “feria masiva” de artes plásticas en el ocaso de la última dictadura argentina Nuevo mundo - Mundos Nuevos dictatorship History images fair arts |
| title | Una “feria masiva” de artes plásticas en el ocaso de la última dictadura argentina |
| title_full | Una “feria masiva” de artes plásticas en el ocaso de la última dictadura argentina |
| title_fullStr | Una “feria masiva” de artes plásticas en el ocaso de la última dictadura argentina |
| title_full_unstemmed | Una “feria masiva” de artes plásticas en el ocaso de la última dictadura argentina |
| title_short | Una “feria masiva” de artes plásticas en el ocaso de la última dictadura argentina |
| title_sort | una feria masiva de artes plasticas en el ocaso de la ultima dictadura argentina |
| topic | dictatorship History images fair arts |
| url | https://journals.openedition.org/nuevomundo/69444 |
| work_keys_str_mv | AT alejandrasoledadgonzalez unaferiamasivadeartesplasticasenelocasodelaultimadictaduraargentina |