Le cartel taurin en Espagne de la Seconde République au franquisme : entre instrument de propagande et œuvre d’art authentique
In Spain, the bullfighting posters that have existed since the 18th century underwent strong politicization during the Second Republic and the first years of Francoism in particular, two periods as much emblematic as they were antagonistic of the 20th century. Indeed, the cartels willingly highlight...
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| Format: | Article |
| Language: | Spanish |
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Casa de Velázquez
2023-11-01
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| Series: | Mélanges de la Casa de Velázquez |
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| Online Access: | https://journals.openedition.org/mcv/20054 |
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| _version_ | 1839656551662485504 |
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| author | Justine Guitard |
| author_facet | Justine Guitard |
| author_sort | Justine Guitard |
| collection | DOAJ |
| description | In Spain, the bullfighting posters that have existed since the 18th century underwent strong politicization during the Second Republic and the first years of Francoism in particular, two periods as much emblematic as they were antagonistic of the 20th century. Indeed, the cartels willingly highlight socio-political changes by the presence of insignia, flags or characters representative of the on-going evolution. Invading the public domain, the poster, which was the subject of in-depth research and artistic work, served the interests of the various successive governments since it conveyed, in a sense, their ideology. It becomes a propaganda weapon in the same way as a work of art praising bullfighting. |
| format | Article |
| id | doaj-art-e00fd7057a6e402f8ff8e609a1fce5c3 |
| institution | Matheson Library |
| issn | 0076-230X 2173-1306 |
| language | Spanish |
| publishDate | 2023-11-01 |
| publisher | Casa de Velázquez |
| record_format | Article |
| series | Mélanges de la Casa de Velázquez |
| spelling | doaj-art-e00fd7057a6e402f8ff8e609a1fce5c32025-06-24T14:41:11ZspaCasa de VelázquezMélanges de la Casa de Velázquez0076-230X2173-13062023-11-0153210.4000/mcv.20054Le cartel taurin en Espagne de la Seconde République au franquisme : entre instrument de propagande et œuvre d’art authentiqueJustine GuitardIn Spain, the bullfighting posters that have existed since the 18th century underwent strong politicization during the Second Republic and the first years of Francoism in particular, two periods as much emblematic as they were antagonistic of the 20th century. Indeed, the cartels willingly highlight socio-political changes by the presence of insignia, flags or characters representative of the on-going evolution. Invading the public domain, the poster, which was the subject of in-depth research and artistic work, served the interests of the various successive governments since it conveyed, in a sense, their ideology. It becomes a propaganda weapon in the same way as a work of art praising bullfighting.https://journals.openedition.org/mcv/20054FrancoismSecond Spanish Republicbullfight posterspolitization of artbullfighting |
| spellingShingle | Justine Guitard Le cartel taurin en Espagne de la Seconde République au franquisme : entre instrument de propagande et œuvre d’art authentique Mélanges de la Casa de Velázquez Francoism Second Spanish Republic bullfight posters politization of art bullfighting |
| title | Le cartel taurin en Espagne de la Seconde République au franquisme : entre instrument de propagande et œuvre d’art authentique |
| title_full | Le cartel taurin en Espagne de la Seconde République au franquisme : entre instrument de propagande et œuvre d’art authentique |
| title_fullStr | Le cartel taurin en Espagne de la Seconde République au franquisme : entre instrument de propagande et œuvre d’art authentique |
| title_full_unstemmed | Le cartel taurin en Espagne de la Seconde République au franquisme : entre instrument de propagande et œuvre d’art authentique |
| title_short | Le cartel taurin en Espagne de la Seconde République au franquisme : entre instrument de propagande et œuvre d’art authentique |
| title_sort | le cartel taurin en espagne de la seconde republique au franquisme entre instrument de propagande et oeuvre d art authentique |
| topic | Francoism Second Spanish Republic bullfight posters politization of art bullfighting |
| url | https://journals.openedition.org/mcv/20054 |
| work_keys_str_mv | AT justineguitard lecarteltaurinenespagnedelaseconderepubliqueaufranquismeentreinstrumentdepropagandeetœuvredartauthentique |