Paris-Rome-Madrid : l’influence de l’art français et romain sur les sculpteurs espagnols dans la première moitié du xixe siècle
Paris-Rome-Madrid make up a unit constituting one aspect of the many artistic changes that took place in the Eternal City in the 19th century. Despite the desire of the Real Academia de San Fernando to encourage the training of Spanish artists in Paris and Rome, there was also considerable resistanc...
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| Format: | Article |
| Language: | Spanish |
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Casa de Velázquez
2006-11-01
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| Series: | Mélanges de la Casa de Velázquez |
| Subjects: | |
| Online Access: | https://journals.openedition.org/mcv/2497 |
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| _version_ | 1839656551383564288 |
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| author | Christiane Dotal |
| author_facet | Christiane Dotal |
| author_sort | Christiane Dotal |
| collection | DOAJ |
| description | Paris-Rome-Madrid make up a unit constituting one aspect of the many artistic changes that took place in the Eternal City in the 19th century. Despite the desire of the Real Academia de San Fernando to encourage the training of Spanish artists in Paris and Rome, there was also considerable resistance, fuelled by an access of identity-affirmation. Spanish sculptors by themselves brought forth the traumatic events of the Peninsular War in their creations. However, the Antiquity they encountered in Rome, in which they had been initiated by Mengs in the late 18th century, remained their absolute model. |
| format | Article |
| id | doaj-art-dc52e49cdd834d4e901b23fce5068608 |
| institution | Matheson Library |
| issn | 0076-230X 2173-1306 |
| language | Spanish |
| publishDate | 2006-11-01 |
| publisher | Casa de Velázquez |
| record_format | Article |
| series | Mélanges de la Casa de Velázquez |
| spelling | doaj-art-dc52e49cdd834d4e901b23fce50686082025-06-24T14:41:19ZspaCasa de VelázquezMélanges de la Casa de Velázquez0076-230X2173-13062006-11-0136225527910.4000/mcv.2497Paris-Rome-Madrid : l’influence de l’art français et romain sur les sculpteurs espagnols dans la première moitié du xixe siècleChristiane DotalParis-Rome-Madrid make up a unit constituting one aspect of the many artistic changes that took place in the Eternal City in the 19th century. Despite the desire of the Real Academia de San Fernando to encourage the training of Spanish artists in Paris and Rome, there was also considerable resistance, fuelled by an access of identity-affirmation. Spanish sculptors by themselves brought forth the traumatic events of the Peninsular War in their creations. However, the Antiquity they encountered in Rome, in which they had been initiated by Mengs in the late 18th century, remained their absolute model.https://journals.openedition.org/mcv/2497SculptureArtistic ExchangesArtistic NationalismNeoclassicism |
| spellingShingle | Christiane Dotal Paris-Rome-Madrid : l’influence de l’art français et romain sur les sculpteurs espagnols dans la première moitié du xixe siècle Mélanges de la Casa de Velázquez Sculpture Artistic Exchanges Artistic Nationalism Neoclassicism |
| title | Paris-Rome-Madrid : l’influence de l’art français et romain sur les sculpteurs espagnols dans la première moitié du xixe siècle |
| title_full | Paris-Rome-Madrid : l’influence de l’art français et romain sur les sculpteurs espagnols dans la première moitié du xixe siècle |
| title_fullStr | Paris-Rome-Madrid : l’influence de l’art français et romain sur les sculpteurs espagnols dans la première moitié du xixe siècle |
| title_full_unstemmed | Paris-Rome-Madrid : l’influence de l’art français et romain sur les sculpteurs espagnols dans la première moitié du xixe siècle |
| title_short | Paris-Rome-Madrid : l’influence de l’art français et romain sur les sculpteurs espagnols dans la première moitié du xixe siècle |
| title_sort | paris rome madrid l influence de l art francais et romain sur les sculpteurs espagnols dans la premiere moitie du xixe siecle |
| topic | Sculpture Artistic Exchanges Artistic Nationalism Neoclassicism |
| url | https://journals.openedition.org/mcv/2497 |
| work_keys_str_mv | AT christianedotal parisromemadridlinfluencedelartfrancaisetromainsurlessculpteursespagnolsdanslapremieremoitieduxixesiecle |