Locura, arte y cambio de siglo: el caso del Teatro Grez y sus murales, Santiago de Chile (1897-1910)

The following article explores the connections between madness, art and the Chilean society at the end of the 19th century and begining of the 20th, from the analysis of the construction of the Teatro Grez within the Psychiatric Hospital of Santiago. The origin of the building and the first activiti...

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Main Authors: Ximena Gallardo Saint-Jean, Alejandra Fuentes González
Format: Article
Language:English
Published: Centre de Recherches sur les Mondes Américains 2015-12-01
Series:Nuevo mundo - Mundos Nuevos
Subjects:
Online Access:https://journals.openedition.org/nuevomundo/68658
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author Ximena Gallardo Saint-Jean
Alejandra Fuentes González
author_facet Ximena Gallardo Saint-Jean
Alejandra Fuentes González
author_sort Ximena Gallardo Saint-Jean
collection DOAJ
description The following article explores the connections between madness, art and the Chilean society at the end of the 19th century and begining of the 20th, from the analysis of the construction of the Teatro Grez within the Psychiatric Hospital of Santiago. The origin of the building and the first activities carried out inside the institution were related to the professionalization of Chilean psychiatry which, enriched with European ideas, incorporates work, leisure and art as medical treatments. The theatre’s paintings are an expression of the “modern” ideas that circulated in medicine and art, but at the same time, they show the remainings of an hegemonic discourse, which continued putting madness in a border line, frequently related to a female imaginary.
format Article
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language English
publishDate 2015-12-01
publisher Centre de Recherches sur les Mondes Américains
record_format Article
series Nuevo mundo - Mundos Nuevos
spelling doaj-art-db84e899d2d742999b8c713df6aa4be32025-06-24T14:15:18ZengCentre de Recherches sur les Mondes AméricainsNuevo mundo - Mundos Nuevos1626-02522015-12-0110.4000/nuevomundo.68658Locura, arte y cambio de siglo: el caso del Teatro Grez y sus murales, Santiago de Chile (1897-1910)Ximena Gallardo Saint-JeanAlejandra Fuentes GonzálezThe following article explores the connections between madness, art and the Chilean society at the end of the 19th century and begining of the 20th, from the analysis of the construction of the Teatro Grez within the Psychiatric Hospital of Santiago. The origin of the building and the first activities carried out inside the institution were related to the professionalization of Chilean psychiatry which, enriched with European ideas, incorporates work, leisure and art as medical treatments. The theatre’s paintings are an expression of the “modern” ideas that circulated in medicine and art, but at the same time, they show the remainings of an hegemonic discourse, which continued putting madness in a border line, frequently related to a female imaginary.https://journals.openedition.org/nuevomundo/68658madnessarttheaterPsychiatric Hospitalmural paintings.
spellingShingle Ximena Gallardo Saint-Jean
Alejandra Fuentes González
Locura, arte y cambio de siglo: el caso del Teatro Grez y sus murales, Santiago de Chile (1897-1910)
Nuevo mundo - Mundos Nuevos
madness
art
theater
Psychiatric Hospital
mural paintings.
title Locura, arte y cambio de siglo: el caso del Teatro Grez y sus murales, Santiago de Chile (1897-1910)
title_full Locura, arte y cambio de siglo: el caso del Teatro Grez y sus murales, Santiago de Chile (1897-1910)
title_fullStr Locura, arte y cambio de siglo: el caso del Teatro Grez y sus murales, Santiago de Chile (1897-1910)
title_full_unstemmed Locura, arte y cambio de siglo: el caso del Teatro Grez y sus murales, Santiago de Chile (1897-1910)
title_short Locura, arte y cambio de siglo: el caso del Teatro Grez y sus murales, Santiago de Chile (1897-1910)
title_sort locura arte y cambio de siglo el caso del teatro grez y sus murales santiago de chile 1897 1910
topic madness
art
theater
Psychiatric Hospital
mural paintings.
url https://journals.openedition.org/nuevomundo/68658
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