Imagery and Portrait in Majeed Amjad's Poetry

The purpose of imagery in poetry is to send the message of poet in<br />a strong, vivid and in a very visual voice. The poet uses words to<br />create images in our mind that helps to interpret poem in a way he<br />sees it. He uses similes, metaphors and personifications to create...

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Bibliographic Details
Main Author: Ejaz Ahmad
Format: Article
Language:English
Published: University of the Punjab, Institute of Urdu Language and Literature, Lahore 2021-08-01
Series:بازیافت
Subjects:
Online Access:http://111.68.103.26/journals/index.php/Bazyaft/article/view/5143
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Summary:The purpose of imagery in poetry is to send the message of poet in<br />a strong, vivid and in a very visual voice. The poet uses words to<br />create images in our mind that helps to interpret poem in a way he<br />sees it. He uses similes, metaphors and personifications to create<br />mental picture through words that gives a strong message to<br />understand the poet's message. To indicate the points which seem<br />the most vivid and important to reader, the writer allows the<br />reader to flesh out their sketch into a portrait. In other words, you<br />can think of imagery as painting with words in order to fuel the<br />reader's imagination. Majeed Amjad mellowed as a poet in the late<br />34s. He is a painter, like Ustad Allah Bakhsh, involved in aesthetic<br />and classical landscape in his poetry. This involvement is not static<br />or superficial. This article reflects a brief introduction of imagery<br />and Majeed Amjad's art of using images in his poetry5
ISSN:1992-3678
2788-4848