The Donkey’s Song: Aldo Palazzeschi’s Canzonetta "Let Me Have My Fun" (1910) in the History and Mythology of Russian (Anti-)Futurism

Parodies, caricatures, mockery, and scathing remarks by critics often serve as provocative invitations to explore the reception and interpretation of literary experiments within their respective cultural contexts. This kind of literary interpretation “by means of contradiction” might be termed boo-...

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Main Author: Ilya Vinitsky
Format: Article
Language:English
Published: Firenze University Press 2025-07-01
Series:Studi Slavistici
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Online Access:https://oaj.fupress.net/index.php/ss/article/view/17146
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author Ilya Vinitsky
author_facet Ilya Vinitsky
author_sort Ilya Vinitsky
collection DOAJ
description Parodies, caricatures, mockery, and scathing remarks by critics often serve as provocative invitations to explore the reception and interpretation of literary experiments within their respective cultural contexts. This kind of literary interpretation “by means of contradiction” might be termed boo-criticism. This article examines a vivid example of such criticism, introducing a characteristic mythopoetic figure that emerged from the heated literary polemics of the 1910s. Taking as its point of departure Vasilij Rozanov’s panic-stricken critique of contemporary literature as a ‘kingdom of donkeys’ – a vision that arguably echoes Aldo Palazzeschi’s transrational stanza in Let Me Have My Fun! – the article traces the motif’s origins in Nietzsche and its elaboration in the Russian avant-garde (Kručënych, Gončarova, Majakovskij, Zdanevič).
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spelling doaj-art-b68dad4f35a74ce9834e38a7fc1d6f762025-07-21T13:10:22ZengFirenze University PressStudi Slavistici1824-761X1824-76012025-07-0122110.36253/Studi_Slavis-17146The Donkey’s Song: Aldo Palazzeschi’s Canzonetta "Let Me Have My Fun" (1910) in the History and Mythology of Russian (Anti-)FuturismIlya Vinitsky0Princeton University Parodies, caricatures, mockery, and scathing remarks by critics often serve as provocative invitations to explore the reception and interpretation of literary experiments within their respective cultural contexts. This kind of literary interpretation “by means of contradiction” might be termed boo-criticism. This article examines a vivid example of such criticism, introducing a characteristic mythopoetic figure that emerged from the heated literary polemics of the 1910s. Taking as its point of departure Vasilij Rozanov’s panic-stricken critique of contemporary literature as a ‘kingdom of donkeys’ – a vision that arguably echoes Aldo Palazzeschi’s transrational stanza in Let Me Have My Fun! – the article traces the motif’s origins in Nietzsche and its elaboration in the Russian avant-garde (Kručënych, Gončarova, Majakovskij, Zdanevič). https://oaj.fupress.net/index.php/ss/article/view/17146Aldo PalazzeschiVerlimir KhlebnikovzaumlaughterPlaton Lukashevichlinguistic utopias
spellingShingle Ilya Vinitsky
The Donkey’s Song: Aldo Palazzeschi’s Canzonetta "Let Me Have My Fun" (1910) in the History and Mythology of Russian (Anti-)Futurism
Studi Slavistici
Aldo Palazzeschi
Verlimir Khlebnikov
zaum
laughter
Platon Lukashevich
linguistic utopias
title The Donkey’s Song: Aldo Palazzeschi’s Canzonetta "Let Me Have My Fun" (1910) in the History and Mythology of Russian (Anti-)Futurism
title_full The Donkey’s Song: Aldo Palazzeschi’s Canzonetta "Let Me Have My Fun" (1910) in the History and Mythology of Russian (Anti-)Futurism
title_fullStr The Donkey’s Song: Aldo Palazzeschi’s Canzonetta "Let Me Have My Fun" (1910) in the History and Mythology of Russian (Anti-)Futurism
title_full_unstemmed The Donkey’s Song: Aldo Palazzeschi’s Canzonetta "Let Me Have My Fun" (1910) in the History and Mythology of Russian (Anti-)Futurism
title_short The Donkey’s Song: Aldo Palazzeschi’s Canzonetta "Let Me Have My Fun" (1910) in the History and Mythology of Russian (Anti-)Futurism
title_sort donkey s song aldo palazzeschi s canzonetta let me have my fun 1910 in the history and mythology of russian anti futurism
topic Aldo Palazzeschi
Verlimir Khlebnikov
zaum
laughter
Platon Lukashevich
linguistic utopias
url https://oaj.fupress.net/index.php/ss/article/view/17146
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