Algunas representaciones iconográficas de Don Quijote en Francia
The true iconography of Don Quixote commences with the title page for Rossett’s translation of 1618. This influenced the first graphic series on the subject, produced by Lagniet around 1650, and likewise the first oil painting, executed by artists belonging to the circle of Le Nain. The advent of Do...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
Casa de Velázquez
2007-11-01
|
| Series: | Mélanges de la Casa de Velázquez |
| Subjects: | |
| Online Access: | https://journals.openedition.org/mcv/1692 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1839656597856452608 |
|---|---|
| author | Johannes Hartau |
| author_facet | Johannes Hartau |
| author_sort | Johannes Hartau |
| collection | DOAJ |
| description | The true iconography of Don Quixote commences with the title page for Rossett’s translation of 1618. This influenced the first graphic series on the subject, produced by Lagniet around 1650, and likewise the first oil painting, executed by artists belonging to the circle of Le Nain. The advent of Don Quixote to the sphere of Great Art was linked to tapestry-work and the engravings of Coypel. The illustrations realized by Gustave Doré in 1863 still seduce to this day thanks to its richness. In his paintings Daumier gave substance to the tension existing between master and servant. Thanks to him, Don Quixote becomes a theme exploited by some modern artists, from the paintings of Masson created between 1934 and 1937, to Dalí’s illustrations and the abstract sculptures executed by Richier. |
| format | Article |
| id | doaj-art-a3e8f95264b8404cb39e4e979bc4ee08 |
| institution | Matheson Library |
| issn | 0076-230X 2173-1306 |
| language | Spanish |
| publishDate | 2007-11-01 |
| publisher | Casa de Velázquez |
| record_format | Article |
| series | Mélanges de la Casa de Velázquez |
| spelling | doaj-art-a3e8f95264b8404cb39e4e979bc4ee082025-06-24T14:40:34ZspaCasa de VelázquezMélanges de la Casa de Velázquez0076-230X2173-13062007-11-013728110610.4000/mcv.1692Algunas representaciones iconográficas de Don Quijote en FranciaJohannes HartauThe true iconography of Don Quixote commences with the title page for Rossett’s translation of 1618. This influenced the first graphic series on the subject, produced by Lagniet around 1650, and likewise the first oil painting, executed by artists belonging to the circle of Le Nain. The advent of Don Quixote to the sphere of Great Art was linked to tapestry-work and the engravings of Coypel. The illustrations realized by Gustave Doré in 1863 still seduce to this day thanks to its richness. In his paintings Daumier gave substance to the tension existing between master and servant. Thanks to him, Don Quixote becomes a theme exploited by some modern artists, from the paintings of Masson created between 1934 and 1937, to Dalí’s illustrations and the abstract sculptures executed by Richier.https://journals.openedition.org/mcv/1692FranceCervantesDon QuixoteReceptionGraphic artsIconography |
| spellingShingle | Johannes Hartau Algunas representaciones iconográficas de Don Quijote en Francia Mélanges de la Casa de Velázquez France Cervantes Don Quixote Reception Graphic arts Iconography |
| title | Algunas representaciones iconográficas de Don Quijote en Francia |
| title_full | Algunas representaciones iconográficas de Don Quijote en Francia |
| title_fullStr | Algunas representaciones iconográficas de Don Quijote en Francia |
| title_full_unstemmed | Algunas representaciones iconográficas de Don Quijote en Francia |
| title_short | Algunas representaciones iconográficas de Don Quijote en Francia |
| title_sort | algunas representaciones iconograficas de don quijote en francia |
| topic | France Cervantes Don Quixote Reception Graphic arts Iconography |
| url | https://journals.openedition.org/mcv/1692 |
| work_keys_str_mv | AT johanneshartau algunasrepresentacionesiconograficasdedonquijoteenfrancia |