« Représenter sa ville » : l’ancrage des identités urbaines dans le rap des Twin Cities

Rap music was born in the black marginalized neighborhoods of American cities. If this kind of music has since been commercialized, globalized, and transformed, the link to the city remains strong in places such as the Twin Cities (Minneapolis / Saint Paul), through the idea of “representing” the “h...

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Main Author: Séverin Guillard
Format: Article
Language:German
Published: Unité Mixte de Recherche 8504 Géographie-cités 2012-05-01
Series:Cybergeo
Subjects:
Online Access:https://journals.openedition.org/cybergeo/25357
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author Séverin Guillard
author_facet Séverin Guillard
author_sort Séverin Guillard
collection DOAJ
description Rap music was born in the black marginalized neighborhoods of American cities. If this kind of music has since been commercialized, globalized, and transformed, the link to the city remains strong in places such as the Twin Cities (Minneapolis / Saint Paul), through the idea of “representing” the “hometown”. Discourses and practices of the members of the rap scene reveal how this culture takes its roots in the local context and how it is reshaped at the same time. The specificities of the Twin Cities are also used, particularly in the lyrics, to challenge the image of the city. Thus, rappers strive to demonstrate the legitimacy of the local scene at the national level, in order to “put the Twin Cities on the map of rap in the United States”.
format Article
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publisher Unité Mixte de Recherche 8504 Géographie-cités
record_format Article
series Cybergeo
spelling doaj-art-a1cbe46a44f345e581cd6acbcd8303782025-06-24T14:58:51ZdeuUnité Mixte de Recherche 8504 Géographie-citésCybergeo1278-33662012-05-0110.4000/cybergeo.25357« Représenter sa ville » : l’ancrage des identités urbaines dans le rap des Twin CitiesSéverin GuillardRap music was born in the black marginalized neighborhoods of American cities. If this kind of music has since been commercialized, globalized, and transformed, the link to the city remains strong in places such as the Twin Cities (Minneapolis / Saint Paul), through the idea of “representing” the “hometown”. Discourses and practices of the members of the rap scene reveal how this culture takes its roots in the local context and how it is reshaped at the same time. The specificities of the Twin Cities are also used, particularly in the lyrics, to challenge the image of the city. Thus, rappers strive to demonstrate the legitimacy of the local scene at the national level, in order to “put the Twin Cities on the map of rap in the United States”.https://journals.openedition.org/cybergeo/25357cityrepresentationplacerap musicmusic
spellingShingle Séverin Guillard
« Représenter sa ville » : l’ancrage des identités urbaines dans le rap des Twin Cities
Cybergeo
city
representation
place
rap music
music
title « Représenter sa ville » : l’ancrage des identités urbaines dans le rap des Twin Cities
title_full « Représenter sa ville » : l’ancrage des identités urbaines dans le rap des Twin Cities
title_fullStr « Représenter sa ville » : l’ancrage des identités urbaines dans le rap des Twin Cities
title_full_unstemmed « Représenter sa ville » : l’ancrage des identités urbaines dans le rap des Twin Cities
title_short « Représenter sa ville » : l’ancrage des identités urbaines dans le rap des Twin Cities
title_sort representer sa ville l ancrage des identites urbaines dans le rap des twin cities
topic city
representation
place
rap music
music
url https://journals.openedition.org/cybergeo/25357
work_keys_str_mv AT severinguillard representersavillelancragedesidentitesurbainesdanslerapdestwincities