Experiencias artístico-educativas para los obreros durante el primer peronismo
During the first Peronism (1946-1955) a cultural politics was designed as part of the state planning that had in some cases the workers like recipients or exclusive producers of the same one. This cultural politics was containing a series of experiences, practices and artistic formations where it wa...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
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Centre de Recherches sur les Mondes Américains
2012-07-01
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| Series: | Nuevo mundo - Mundos Nuevos |
| Subjects: | |
| Online Access: | https://journals.openedition.org/nuevomundo/63699 |
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| Summary: | During the first Peronism (1946-1955) a cultural politics was designed as part of the state planning that had in some cases the workers like recipients or exclusive producers of the same one. This cultural politics was containing a series of experiences, practices and artistic formations where it was appealed frequently to disciplines as the music, the literature and the theatre. All these practices were characterized for associative forms generated simultaneously that to establish new educational and recreative habits between the workers.In the cultural planning of the first Peronism the education, the scattering and the training were shaping his central cores, complementing the aim of the social insertion. Not only was the right granted to the worker to the recreation, to the leisure and to the cultural consumption, but also to the training. Our intention is to analyze the particularity and functionality of these practices and formations, the role of the agents interveners, and the beliefs, conducts and imaginary presents in the conformation of a working identity in the frame of the first Peronism. |
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| ISSN: | 1626-0252 |