Study of the Effect of the Orchestra Pit on the Acoustics of the Kraków Opera Hall

The orchestra pit acoustics are mostly assessed by musicians and directors of musical performances using the sense of hearing, i.e. in a subjective manner. This paper proposes a method for an objective assessment using such parameters as Support (ST) and Sound Strength (G), which are...

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Bibliographic Details
Main Authors: Tadeusz KAMISIŃSKI, Mirosław BURKOT, Jarosław RUBACHA, Krzysztof BRAWATA
Format: Article
Language:English
Published: Institute of Fundamental Technological Research Polish Academy of Sciences 2014-09-01
Series:Archives of Acoustics
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Online Access:https://acoustics.ippt.pan.pl/index.php/aa/article/view/590
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Summary:The orchestra pit acoustics are mostly assessed by musicians and directors of musical performances using the sense of hearing, i.e. in a subjective manner. This paper proposes a method for an objective assessment using such parameters as Support (ST) and Sound Strength (G), which are obtained by measurements. ST defines the quality of how orchestral musicians hear one another in the orchestra pit, whereas G determines the impression of loudness at selected points of the auditorium. To determine the value of these parameters, acoustic measurements were performed in the orchestra pit and the auditorium of the Kraków Opera Hall. A numerical model was also developed, which was employed for multivariant computer simulations using the CATT-acoustic software. The purpose of the paper is to present a methodology for objective assessment of the orchestra pit acoustics.
ISSN:0137-5075
2300-262X