Religious Art in the Viewpoint of Ayatollah Javadi Amoli

Ayatollah Javadi Amoli is one of the contemporary thinkers of Islamic world who pays attention to Religious Art and explains its characteristics and principles. Not only does this paper express the definition and the interpretation of Religious Art in his thinking system, but also its characteristic...

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Main Authors: حمید رضا خادمی, Seyed msoud Masoudian
Format: Article
Language:Persian
Published: Maarej Research Institute of Revelation Sciences 2014-10-01
Series:حکمت اسرا
Subjects:
Online Access:https://hikmat.isramags.ir/article_11746_db073ec2ac1f4914947422f630b16563.pdf
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author حمید رضا خادمی
Seyed msoud Masoudian
author_facet حمید رضا خادمی
Seyed msoud Masoudian
author_sort حمید رضا خادمی
collection DOAJ
description Ayatollah Javadi Amoli is one of the contemporary thinkers of Islamic world who pays attention to Religious Art and explains its characteristics and principles. Not only does this paper express the definition and the interpretation of Religious Art in his thinking system, but also its characteristics affected by original viewpoints of Transcendent Philosophy. For Ayatollah Javadi Amoli, the most important characteristics of Religious Art are: the supreme place of intellect and intellectual world as the origins of artwork, the role of imagination as the faculty of creating artwork, the importance of the ethical policies of art and artist as well as the cognitive functions and features of art. Given the two elements of motivation and thought in human being, he considers the illustrating world as the policy of Religious Art and the output of process of creating artwork by the projection of Mimesis as the invariable act of Religious Art.
format Article
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institution Matheson Library
issn 2383-2916
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publishDate 2014-10-01
publisher Maarej Research Institute of Revelation Sciences
record_format Article
series حکمت اسرا
spelling doaj-art-6a1e9ff749cc4b2f9f5a0f2986a813a42025-07-16T20:02:13ZfasMaarej Research Institute of Revelation Sciencesحکمت اسرا2383-29162014-10-016352511746Religious Art in the Viewpoint of Ayatollah Javadi Amoliحمید رضا خادمی0Seyed msoud Masoudian1Assistant profesoor of humanities research and development centerمعاونت هنر و رسانه بنیاد اسراءAyatollah Javadi Amoli is one of the contemporary thinkers of Islamic world who pays attention to Religious Art and explains its characteristics and principles. Not only does this paper express the definition and the interpretation of Religious Art in his thinking system, but also its characteristics affected by original viewpoints of Transcendent Philosophy. For Ayatollah Javadi Amoli, the most important characteristics of Religious Art are: the supreme place of intellect and intellectual world as the origins of artwork, the role of imagination as the faculty of creating artwork, the importance of the ethical policies of art and artist as well as the cognitive functions and features of art. Given the two elements of motivation and thought in human being, he considers the illustrating world as the policy of Religious Art and the output of process of creating artwork by the projection of Mimesis as the invariable act of Religious Art.https://hikmat.isramags.ir/article_11746_db073ec2ac1f4914947422f630b16563.pdfreligious arttranscendental philosophyjavadi amolimulla sadra
spellingShingle حمید رضا خادمی
Seyed msoud Masoudian
Religious Art in the Viewpoint of Ayatollah Javadi Amoli
حکمت اسرا
religious art
transcendental philosophy
javadi amoli
mulla sadra
title Religious Art in the Viewpoint of Ayatollah Javadi Amoli
title_full Religious Art in the Viewpoint of Ayatollah Javadi Amoli
title_fullStr Religious Art in the Viewpoint of Ayatollah Javadi Amoli
title_full_unstemmed Religious Art in the Viewpoint of Ayatollah Javadi Amoli
title_short Religious Art in the Viewpoint of Ayatollah Javadi Amoli
title_sort religious art in the viewpoint of ayatollah javadi amoli
topic religious art
transcendental philosophy
javadi amoli
mulla sadra
url https://hikmat.isramags.ir/article_11746_db073ec2ac1f4914947422f630b16563.pdf
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