In search for the criteria of absolute pitch

A series of experiments has been performed in order to find specific features of pitch memory in persons possessing the so-called absolute pitch. Sixty one music students were given a test of passive absolute pitch (pitch-naming test); then a part of this group was subjected to another test in orde...

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Main Authors: Andrzej RAKOWSKI, Marietta MORAWSKA-BÜNGELER
Format: Article
Language:English
Published: Institute of Fundamental Technological Research Polish Academy of Sciences 2015-07-01
Series:Archives of Acoustics
Online Access:https://acoustics.ippt.pan.pl/index.php/aa/article/view/3083
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author Andrzej RAKOWSKI
Marietta MORAWSKA-BÜNGELER
author_facet Andrzej RAKOWSKI
Marietta MORAWSKA-BÜNGELER
author_sort Andrzej RAKOWSKI
collection DOAJ
description A series of experiments has been performed in order to find specific features of pitch memory in persons possessing the so-called absolute pitch. Sixty one music students were given a test of passive absolute pitch (pitch-naming test); then a part of this group was subjected to another test in order to determine their ability to produce required musical pitch without being given any reference tone (active absolute pitch). A criterion for absolute pitch was proposed on the basis of the evaluation of the precision of tuning a pure-tone generator to the required musical pitch. Finally, two musicians, one of them possessing absolute-pitch, were given a task of tuning a pure-tone generator to the pitch of a standard after various delay times. The results were presented in the form of pitch-forgetting curves.
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institution Matheson Library
issn 0137-5075
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language English
publishDate 2015-07-01
publisher Institute of Fundamental Technological Research Polish Academy of Sciences
record_format Article
series Archives of Acoustics
spelling doaj-art-3b73ee9ab6354be7b47f50d34830c57c2025-07-15T16:53:39ZengInstitute of Fundamental Technological Research Polish Academy of SciencesArchives of Acoustics0137-50752300-262X2015-07-01122In search for the criteria of absolute pitchAndrzej RAKOWSKI0Marietta MORAWSKA-BÜNGELER1Department of Music Acoustics, Academy of Music in WarsawDepartment of Music Acoustics, Academy of Music in WarsawA series of experiments has been performed in order to find specific features of pitch memory in persons possessing the so-called absolute pitch. Sixty one music students were given a test of passive absolute pitch (pitch-naming test); then a part of this group was subjected to another test in order to determine their ability to produce required musical pitch without being given any reference tone (active absolute pitch). A criterion for absolute pitch was proposed on the basis of the evaluation of the precision of tuning a pure-tone generator to the required musical pitch. Finally, two musicians, one of them possessing absolute-pitch, were given a task of tuning a pure-tone generator to the pitch of a standard after various delay times. The results were presented in the form of pitch-forgetting curves.https://acoustics.ippt.pan.pl/index.php/aa/article/view/3083
spellingShingle Andrzej RAKOWSKI
Marietta MORAWSKA-BÜNGELER
In search for the criteria of absolute pitch
Archives of Acoustics
title In search for the criteria of absolute pitch
title_full In search for the criteria of absolute pitch
title_fullStr In search for the criteria of absolute pitch
title_full_unstemmed In search for the criteria of absolute pitch
title_short In search for the criteria of absolute pitch
title_sort in search for the criteria of absolute pitch
url https://acoustics.ippt.pan.pl/index.php/aa/article/view/3083
work_keys_str_mv AT andrzejrakowski insearchforthecriteriaofabsolutepitch
AT mariettamorawskabungeler insearchforthecriteriaofabsolutepitch