Carnefice o spettatore? L’ingaggio spettatoriale in The Repetition. Histoire(s) du théâtre di Milo Rau
Starting from the idea that every single work of art is perceived through not only our senses but also our mind, and that the theatrical event is a privileged occasion during which the cognitive world is connected with the emotional dimension of the individual, creating an interaction between emotio...
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| Format: | Article |
| Language: | German |
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Università degli Studi di Ferrara
2019-12-01
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| Series: | Annali Online dell'Università di Ferrara. Sezione Lettere |
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