La visión de Marruecos a través de la pintura orientalista española
This article analyses the different visions of Morocco that Spanish orientalist painting contributed to society at various times throughout the long course of its historical development, an extensive period running approximately from 1830 to 1960. In its very beginnings Spanish orientalist painting...
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| Format: | Article |
| Language: | Spanish |
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Casa de Velázquez
2007-04-01
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| Series: | Mélanges de la Casa de Velázquez |
| Subjects: | |
| Online Access: | https://journals.openedition.org/mcv/2821 |
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| _version_ | 1839656505437061120 |
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| author | Enrique Arias Anglés |
| author_facet | Enrique Arias Anglés |
| author_sort | Enrique Arias Anglés |
| collection | DOAJ |
| description | This article analyses the different visions of Morocco that Spanish orientalist painting contributed to society at various times throughout the long course of its historical development, an extensive period running approximately from 1830 to 1960. In its very beginnings Spanish orientalist painting looked to Morocco, initially for obvious reasons of proximity, and later on spurred by the colonial interests that were aroused following the so-called African War of 1859-1860. Aside from a natural confrontational connotation, the series of conflicts between Spain and the Moroccon empire which marked a spiral of violence in the wake of that romantic struggle served to arouse in Spanish society an interest in Morocco, which thus developed into the central protagonist of Spanish pictorial orientalism. |
| format | Article |
| id | doaj-art-2caaf6012f3d4fd18559a9bc5a7b977c |
| institution | Matheson Library |
| issn | 0076-230X 2173-1306 |
| language | Spanish |
| publishDate | 2007-04-01 |
| publisher | Casa de Velázquez |
| record_format | Article |
| series | Mélanges de la Casa de Velázquez |
| spelling | doaj-art-2caaf6012f3d4fd18559a9bc5a7b977c2025-06-24T14:41:23ZspaCasa de VelázquezMélanges de la Casa de Velázquez0076-230X2173-13062007-04-01371133710.4000/mcv.2821La visión de Marruecos a través de la pintura orientalista españolaEnrique Arias AnglésThis article analyses the different visions of Morocco that Spanish orientalist painting contributed to society at various times throughout the long course of its historical development, an extensive period running approximately from 1830 to 1960. In its very beginnings Spanish orientalist painting looked to Morocco, initially for obvious reasons of proximity, and later on spurred by the colonial interests that were aroused following the so-called African War of 1859-1860. Aside from a natural confrontational connotation, the series of conflicts between Spain and the Moroccon empire which marked a spiral of violence in the wake of that romantic struggle served to arouse in Spanish society an interest in Morocco, which thus developed into the central protagonist of Spanish pictorial orientalism.https://journals.openedition.org/mcv/2821MoroccoArtSpanish Orientalist PaintingVision |
| spellingShingle | Enrique Arias Anglés La visión de Marruecos a través de la pintura orientalista española Mélanges de la Casa de Velázquez Morocco Art Spanish Orientalist Painting Vision |
| title | La visión de Marruecos a través de la pintura orientalista española |
| title_full | La visión de Marruecos a través de la pintura orientalista española |
| title_fullStr | La visión de Marruecos a través de la pintura orientalista española |
| title_full_unstemmed | La visión de Marruecos a través de la pintura orientalista española |
| title_short | La visión de Marruecos a través de la pintura orientalista española |
| title_sort | la vision de marruecos a traves de la pintura orientalista espanola |
| topic | Morocco Art Spanish Orientalist Painting Vision |
| url | https://journals.openedition.org/mcv/2821 |
| work_keys_str_mv | AT enriqueariasangles lavisiondemarruecosatravesdelapinturaorientalistaespanola |