LA RÉTROJECTION DU SUBLIME ET LE PAYSAGE TRANSCENDANTAL DANS LA PHÉNOMÉNOLOGIE NON-SYMBOLIQUE DE MARC RICHIR
Retrojection of Sublime and Transcendental Landscape in the Non-Symbolic Phenomenology of Marc Richir. This paper deals with an inquiry of the non-symbolic phenomenology and, more precisely, of the Richirian transcendental landscape considered as a consequence of retrojection of sublime. The landsc...
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| Format: | Article |
| Language: | German |
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Babeș-Bolyai University
2016-08-01
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| Series: | Studia Universitatis Babeș-Bolyai. Philosophia |
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| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbphilosophia/article/view/5246 |
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| Summary: | Retrojection of Sublime and Transcendental Landscape in the Non-Symbolic Phenomenology of Marc Richir. This paper deals with an inquiry of the non-symbolic phenomenology and, more precisely, of the Richirian transcendental landscape considered as a consequence of retrojection of sublime. The landscape questions the use of the three stages of passive synthesis and the transcendental game of qualia in creating a proto-area of phenomenological freedom. To illustrate this transcendental landscape we used for methodological reasons a brief phenomenological analysis of the American Abstract Expressionism represented here by the works of Barnett Newman and Mark Rothko. The issue of the transcendental landscape may resemble to a simulation that reduces itself to a Matrix reality- as authors like Philip Kindred Dick to Nick Bostrom argue.
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| ISSN: | 2065-9407 |