Authorial Subjectivity in Salman Rushdie’s Fury and Quichotte
In his extensive oeuvre, Salman Rushdie foregrounds the question of authorship by means of figures of writers and writing subjects who contemplate and reflect on the nature and purpose of their craft, their authorial identity and their positioning in society and intellectual history in, through, and...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2025-05-01
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| Series: | Études Britanniques Contemporaines |
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| Online Access: | https://journals.openedition.org/ebc/16291 |
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| author | Trajanka Kortova Jovanovska |
| author_facet | Trajanka Kortova Jovanovska |
| author_sort | Trajanka Kortova Jovanovska |
| collection | DOAJ |
| description | In his extensive oeuvre, Salman Rushdie foregrounds the question of authorship by means of figures of writers and writing subjects who contemplate and reflect on the nature and purpose of their craft, their authorial identity and their positioning in society and intellectual history in, through, and by means of, (their) writing. This article aims to explore the subjectivity of the author in Rushdie’s novels Fury and Quichotte. As opposed to a representation of the author as indelibly marked by his national and historical context, as in Midnight’s Children and The Moor’s Last Sigh, or by an ambivalent indeterminacy that precludes a final grounding of the self, as in The Satanic Verses, in these two novels the authorial self is formed almost exclusively in relation to the author’s fictional characters. By focusing on how an author situates himself in relation to his work’s afterlife, Fury and Quichotte portray an image of postcolonial authorship in which the postcolonial author opts for the in-between space of exile or advances fiction itself as a necessary component of his self. |
| format | Article |
| id | doaj-art-1ffa1a2c3f714c79ac0ef5cff841cda7 |
| institution | Matheson Library |
| issn | 1168-4917 2271-5444 |
| language | English |
| publishDate | 2025-05-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Études Britanniques Contemporaines |
| spelling | doaj-art-1ffa1a2c3f714c79ac0ef5cff841cda72025-06-24T14:54:27ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172271-54442025-05-016810.4000/141gjAuthorial Subjectivity in Salman Rushdie’s Fury and QuichotteTrajanka Kortova JovanovskaIn his extensive oeuvre, Salman Rushdie foregrounds the question of authorship by means of figures of writers and writing subjects who contemplate and reflect on the nature and purpose of their craft, their authorial identity and their positioning in society and intellectual history in, through, and by means of, (their) writing. This article aims to explore the subjectivity of the author in Rushdie’s novels Fury and Quichotte. As opposed to a representation of the author as indelibly marked by his national and historical context, as in Midnight’s Children and The Moor’s Last Sigh, or by an ambivalent indeterminacy that precludes a final grounding of the self, as in The Satanic Verses, in these two novels the authorial self is formed almost exclusively in relation to the author’s fictional characters. By focusing on how an author situates himself in relation to his work’s afterlife, Fury and Quichotte portray an image of postcolonial authorship in which the postcolonial author opts for the in-between space of exile or advances fiction itself as a necessary component of his self.https://journals.openedition.org/ebc/16291ambivalenceauthoridentitysubjectivityselfauthorship |
| spellingShingle | Trajanka Kortova Jovanovska Authorial Subjectivity in Salman Rushdie’s Fury and Quichotte Études Britanniques Contemporaines ambivalence author identity subjectivity self authorship |
| title | Authorial Subjectivity in Salman Rushdie’s Fury and Quichotte |
| title_full | Authorial Subjectivity in Salman Rushdie’s Fury and Quichotte |
| title_fullStr | Authorial Subjectivity in Salman Rushdie’s Fury and Quichotte |
| title_full_unstemmed | Authorial Subjectivity in Salman Rushdie’s Fury and Quichotte |
| title_short | Authorial Subjectivity in Salman Rushdie’s Fury and Quichotte |
| title_sort | authorial subjectivity in salman rushdie s fury and quichotte |
| topic | ambivalence author identity subjectivity self authorship |
| url | https://journals.openedition.org/ebc/16291 |
| work_keys_str_mv | AT trajankakortovajovanovska authorialsubjectivityinsalmanrushdiesfuryandquichotte |