The ars poetria in Films: Repercussions of Geoffrey of Vinsauf´s Theory of Amplification in Audiovisual Narrative

In this work it has been analized the participation of figures or techniques of amplification described by Geoffrey of Vinsauf, norman poet from 13th century, into the classical rhetoric dimensions known as dispositio (structure) and elocutio (style), so that I can exemplify how in film industry it...

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Main Author: Juan Manuel Arriaga Benítez
Format: Article
Language:Spanish
Published: Universidad Nacional Autónoma de México 2020-06-01
Series:Medievalia
Subjects:
Online Access:https://revistas-filologicas.unam.mx/medievalia/index.php/mv/article/view/387
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author Juan Manuel Arriaga Benítez
author_facet Juan Manuel Arriaga Benítez
author_sort Juan Manuel Arriaga Benítez
collection DOAJ
description In this work it has been analized the participation of figures or techniques of amplification described by Geoffrey of Vinsauf, norman poet from 13th century, into the classical rhetoric dimensions known as dispositio (structure) and elocutio (style), so that I can exemplify how in film industry it can be witnessed its use in form of image design through cinematography, visual composition and scenic assembly. From this study, it is also possible to notice how screenwriters and directors have been able to offer moral or emotional meaning to the viewer.
format Article
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issn 2448-8232
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publishDate 2020-06-01
publisher Universidad Nacional Autónoma de México
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spelling doaj-art-13f7051a49624d7c8fc7cd8b06d099432025-08-02T01:56:29ZspaUniversidad Nacional Autónoma de MéxicoMedievalia2448-82322020-06-0152111512810.19130/medievalia.2020.52.1.0006369The ars poetria in Films: Repercussions of Geoffrey of Vinsauf´s Theory of Amplification in Audiovisual NarrativeJuan Manuel Arriaga Benítez0Universidad Nacional Autónoma de MéxicoIn this work it has been analized the participation of figures or techniques of amplification described by Geoffrey of Vinsauf, norman poet from 13th century, into the classical rhetoric dimensions known as dispositio (structure) and elocutio (style), so that I can exemplify how in film industry it can be witnessed its use in form of image design through cinematography, visual composition and scenic assembly. From this study, it is also possible to notice how screenwriters and directors have been able to offer moral or emotional meaning to the viewer.https://revistas-filologicas.unam.mx/medievalia/index.php/mv/article/view/387retóricanarrativaamplificacióntradición clásicacine
spellingShingle Juan Manuel Arriaga Benítez
The ars poetria in Films: Repercussions of Geoffrey of Vinsauf´s Theory of Amplification in Audiovisual Narrative
Medievalia
retórica
narrativa
amplificación
tradición clásica
cine
title The ars poetria in Films: Repercussions of Geoffrey of Vinsauf´s Theory of Amplification in Audiovisual Narrative
title_full The ars poetria in Films: Repercussions of Geoffrey of Vinsauf´s Theory of Amplification in Audiovisual Narrative
title_fullStr The ars poetria in Films: Repercussions of Geoffrey of Vinsauf´s Theory of Amplification in Audiovisual Narrative
title_full_unstemmed The ars poetria in Films: Repercussions of Geoffrey of Vinsauf´s Theory of Amplification in Audiovisual Narrative
title_short The ars poetria in Films: Repercussions of Geoffrey of Vinsauf´s Theory of Amplification in Audiovisual Narrative
title_sort ars poetria in films repercussions of geoffrey of vinsauf´s theory of amplification in audiovisual narrative
topic retórica
narrativa
amplificación
tradición clásica
cine
url https://revistas-filologicas.unam.mx/medievalia/index.php/mv/article/view/387
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