The Sufi Dimension in The Experience of The Artist Omar El Zahi Between Al-Hadra and Al-Shaabi Marriage
The spiritual religious content formed an important criterion in the selection of artists of the "Châabi" song in the city of Algiers when choosing the sung repertoire « Melḥun », that has been dubbed "Al-Djid" in contrast to a repertoire with themes of love and wine, since this...
Saved in:
Main Author: | Mehdi BERRACHED |
---|---|
Format: | Article |
Language: | Arabic |
Published: |
Center of Research in Social and Cultural Anthropology (CRASC)
2025-03-01
|
Series: | Turath |
Subjects: | |
Online Access: | https://journals.crasc.dz/index.php/turath/article/view/35 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Among the dervishes an account of travels in Asia and Africa, and four years studying the Dervishes, Sufis and Fakirs by living among them
by: Burke, Omar Michael
Published: (1975) -
The Sufis /
by: Shah, Idries, 1924- -
TRANSLATING TABOO SPEECH ACT IN THE OMAR SERIES: A PRAGMATIC AND TECHNIQUE-BASED ANALYSIS OF ARABIC-INDONESIAN SUBTITLES
by: Siti Roisah Solihat, et al.
Published: (2025-06-01) -
The Sufi Function In Artistic Features: A Reference Reading In Modern European Plastic Arts
by: Mohamed Badir, et al.
Published: (2025-07-01) -
The Meaning and Extension of Evident and Hidden Name of God in Ibrahim Ibn Omar's narrative
by: کاوس روحی برندق, et al.
Published: (2015-05-01)