Soviet Musical Avant-Garde in the Context of Time (in the mid. 1950s – 1980s): Historical and Cultural Studies and Philosophical Aspects
Introduction. Interest in the work of avant-garde artists does not wane as they move away from the 20th century. This is due to the fact that the musical avant-garde, becoming a sign of the time, reflected the most important trends of the outgoing era. In the paper, the Soviet musical avant-garde is...
Saved in:
Main Author: | O. V. Andreeva |
---|---|
Format: | Article |
Language: | English |
Published: |
Saint Petersburg Electrotechnical University
2020-03-01
|
Series: | Дискурс |
Subjects: | |
Online Access: | https://discourse.elpub.ru/jour/article/view/304 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
The playing field of the text in the artpractice of the “last avant-garde artist”, Sergei Maslov
by: G. G. Gizdatov
Published: (2024-09-01) -
Jeu vidéo, avant-garde et science-fiction. Le cas de Rez et Child of Eden
by: Julie Delbouille
Published: (2015-05-01) -
THE DYNAMIC OF THE AVANT-GARDE GROUP AROUND ‟UNU” LITERARY MAGAZINE
by: Emilia FAUR
Published: (2017-12-01) -
Aesthetics fiction ? Comics, avant-gardes visuelles et genre dans Doom Patrol de Grant Morrison
by: Cyril Besson
Published: (2015-05-01) -
De l’avant-garde en bande dessinée.
by: Sophie Noël
Published: (2025-05-01)