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    To Blanch an Ethiop: Motifs of Blackness in <i>The Tempest</i> and Ben Jonson’s <i>Masque of Blackness</i>

    To Blanch an Ethiop: Motifs of Blackness in <i>The Tempest</i> and Ben Jonson’s <i>Masque of Blackness</i> af Christina Lynn Gutierrez-Dennehy

    Udgivet 2025-05-01

    In the period between 2021 and 2022 immediately following the COVID-19 lockdowns, there were 37 professional or academic productions of <i>The Tempest</i> in the United States. The play was by far the most produced of Shakespeare’s works in this timespan, and those 37 productions represe...

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